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Springtime in a Foreign City

by sonofmel

supported by
David E Schipper
David E Schipper thumbnail
David E Schipper Hemingway, Grand Marais, stray cats dogs and accordions... love it.
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1.
Bad Dreams 05:23
Bad Dreams Darkness takes the valley The knight crawls into town. He knows they’re all surrounded, He tries to warn the crown. Stars fall out of heaven, Moon comes tumbling down, Where nothing is as it seems, Everyone has bad dreams. A breeze moans through the trees, The knight lay in fallen leaves. Honesty is burned By lies forever learned. The children see the flames, The old know they’re to blame. Where nothing is redeemed Everyone has bad dreams. The wise king screams in bed Tossed in rueful dream A soundless battle scene He sees his best knight sleep Black clouds pile high Their rain brings death to life In a world only few see Everyone has bad dreams. The victor takes the town, He rides in on his steed. The old king in sleeping gown, Dethroned, paraded around. Marched into the square While conquering armies glare, Where nothing is revered, Everyone dreams in fear.
2.
All Hallows' Eve A chopped off head in a necktie noose Telling me all hell’s breaking loose Not a hair out of place on his plastic-coated head Reporting people I don’t even know want me dead The president of the world has a billion arms He clamors for more claims he can’t do enough harm So this year for Halloween I’ll only lock my door. Whole big cities now haunted houses Their fates been seen fleeing down dead end street buses Blackwater’s called in though flood waters recede There’s hope that the saints’ll come marching in Bring the cities back to life again But they’re sequestered in a silver hall, and told play ball Chorus: Don't the man on the street these days seems strange Though he says wants money all he needs is change His numbers grow steady with every monied-heave Every day, to him, must seem just like All hallows' eve, All hallows' eve, all hallows' eve, all hollows' eve Science takes the podium has to have its say Says the planet will be dead now any day All the preachers leer in an “I told you so way.” The kingdom starts dying feeling it’s been had Fashion is a poser as a biker clad Apocalypse a tattooed fad There’s hope in a dead man returning with a strut Millions everyday eat his body drink his blood While the high priests desire young boy stud So this year’s costume for Halloween We’re already wearing it just needs dry cleaned So this year for Halloween I’ll only lock my door
3.
Tarlabashi Shuffle Walkin’ alone, big cities and towns, I'm unknown. Strange tongues, my shadow and I take ‘em in without a sound. And we look at pretty things, but we never ever look down. One day I asked my shadow, where do you go when the sun go down? He lay there on the sidewalk and said, “I go to the seedy parts of town… & when I come back I fill your head with crazy dreams, and things you’ve never seen.” Chorus: He says he’s a part of me that sees things the other way around… He says he’s a part of the night that lives the whole day long. I said “wait a minute you’re my shadow, I mean I know you, you’re my shadow.” He laughed & said “look at me boy, Don’t you see how I blacken things right out… Most people are bad at bein’ good You gotta be good getting’ away with bein’ bad…” Chorus: So me and my shadow, we go walkin’ around Me and my shadow, we go walkin’ all around town We look at pretty things, but we never ever look down. My shadow’s a part of me that sees things the other way around My shadow’s a part of the night that lives the whole day long.
4.
Hello From Johnny Cash His words came fighting, like thunder and lightning Now his songs are acted out in mime The singer, he ran out of time And the clock keeps ticking like a bomb on the wall I wish it would stop but it’ll outlive us all All aboard, the Harvest Moon Workers rattle off their rights while the seeker says he’s got sight All make charades of being happy in their own world While the world goes anywhere but right An answer came dressed in the color of gloom Giving voice to those who felt misused and marooned All aboard, the Harvest Moon Chorus: All aboard the Harvest Moon The train carrying loved ones always leaves too soon All aboard, the Harvest Moon No one returns from the tomb Leaving room for doubt to consume The visionary’s glance of another spring Goes down like a flaming sun in ruin And the conductor rushes up a creaking ladder Preaching, “we’ll all be better off in the hereafter” All aboard, the Harvest Moon Chorus My father met you under the same blue sky I stand under and in the ground you lie How he told you maybe I was your biggest fan You took the time to shake his calloused hand You said be sure to tell your boy from me, Hello from Johnny Cash, now you're on that train they call the Harvest Moon
5.
River Jordan 03:30
River Jordan Gonna take you down the Jordan where the current runs leans The river runs dirty some things are never clean There's a man in camelskin on the bank outside of town He baptizes some while others sink drowned God blesses some more than others I hear But I ain't never seem him in his long gray beard. Some call it murder others call it suicide Some think it righteous when it flows a crimson tide God blesses soldiers every day they stay alive Some think it holy if in his name they die And boys let me tell you that when cousins start to fight An eye for an eye gets sanctified Brother John's still out there on that bank outside of town Can't you hear him screaming, “The warrior wears the crown”? He cries out across the ages in the same hoarse voice A lone standing sentinel with a solitary choice His flock spills a source that we all hold dear But I ain't never seen blood make a river run clear.
6.
Grand Marais 03:58
Grand Marais It's a rainy day in ol Gran Marais Storm clouds pass by like floats on parade I gotta good dog at my feet like a log It's a rainy day in ol Gran Marais Got some homegrown rockin further down the lake There's a wolf on the road The rain like diamonds on her coat There's more to change than just what weathers here There's more to change than just what weather's here Whatever weathers here Alouette, gentille alouette, Alouette, je te plumerai. It's a rainy day here in ol Gran Marais St. Paul's always felt lifetimes away He wouldn't like it up here There's no savior to fear It's a rainy day here in ol Gran Marais water falls faster than sinners lose their way Where even Temperance floods folk gather with jugs and pluck her buds
7.
Springtime in a Foreign City And its springtime in a foreign city where the flowers and trees grow up to stand as passive armies of honest pity Their faces blossoming to the sun pleading don’t ever stop please don’t ever stop your burning And I head my face behind a curtain of long black hair that curls around the nighttime sky full of stars, too afraid to look am I Oh Laurel let your hair fall down from the sky I’ll climb on up to you and on a star together we’ll lie Oh Laurel, you never wore shoes growing up in your little town You had to come to the big city, meet me and the whole world to bring you down And the diamonds in the rough scream is there room and time enough for us yet to shine, from the edge of a landslide unpolished, feeling left behind, but just like coal, anything black has already been or will be burned, in the age of double-talkin treason peoples voice gets spurned
8.
Hemingway 03:17
Hemingway Hemingway’s not dead for he lives in the sound hole of my Spanish guitar His beard is still gray, his eyes still pierce wonder For his lips ripped asunder the bone-bleaching blast that erases all scar. Bull or bull fighter a life and death all-nighter only reveal in the end All die in an order comprehended by no one claiming without gun the know of a foe from fight that foals friend. The sun also rises same sunset disguises From direction does time take its cue. From east to the west Beginning to end Its weave worn reversible and loose From shotgun to birth pang The load and the big bang Verse can accommodate all Adding subtracting Meager meter directing The mystery For whom the bell tolls
9.
Hard Roll 06:21
Hard Roll Boys it’s been a hard roll, where do I begin? Some say back in the garden with original sin They say salvation can’t be found in the flesh But making love is nothing if it’s not being blessed Somewhere along the way boys we broke up into tribes Tamed a few animals, planted crops then came the scribes Armies, priests and kings they all started making waves From then ‘til now we fight to see who’ll rule the day Chorus: But let’s leave the night for lovers If we just leave the night for lovers Living in the dark wouldn’t feel all that bad Boys it's been a hard roll where do I begin? With the help of the church one god killed the pantheon In the age of enlightenment he himself became a sin Now facts and opinions get importantly fed But you can’t really eat them just stuff ‘em in your head Boys it’s been a hard roll where do I begin In the age of information don’t forget your pen Machines and science hum for knowledge’s sake They’re the new gods, we hope they’ll carry the day Chorus Boys it’s been a hard roll where do I begin It might be easier if more often the good guys win When the fabric of our lives is stretched until it rips The language of drastic change always is apocalypse Boys it’s been a hard roll where do I begin We wait for the maid to clean up so we get dirty again One man’s pleasure draws another man’s disdain Everyday it seems leaves another stain.

about

Sometimes it takes traveling far from home to find out where you come from...

… after 20 years of wandering the globe and combing the sites, lights, sounds, and shadows for signs of the sacred sprung from the profane, time warrants a return to the mid west with a time-worn guitar, fistfuls of chords strung up with verse, bringing the foreign
home to the familiar... These songs come from the world-weary road, plied from places and faces met
from Baku to Berkeley, Anchorage to Ankara, from recluse to royalty...
These same roads led for hours down and out of
storied forests and lore, lingering like exhaust on a
cold January morning where the sun only stared and winter woke to more 30 below. Seven years had
passed since I'd crossed a border and this one was coming up fast. We'd never seen a roadmap with an album on it before, but the mile marker and signage
said it lay straight ahead, across blowing snow
stinging like salt across faces, on into the city where
ice rink roads and curbs piled high with it froze car
tires to gutter ways, tore off running boards, slid us through intersections where a careening bus barely
just bruised the air in front of us.

The old ram on the hood turned to us frozen in fear,
but with flaring nostrils refound our floundering way
to Flowers, where we warmed into blooms and stems
of songs recorded in 36 hours, later to be composted,
cajoled and plucked at and further fertilized by
friendly hands of other song gardeners...

Three years and here she is, an album pushed up out
of the soils of soul to find purchase here in the happenstances of the last few darkening years of
sleep descending upon collective eyelids, heavy in
their weary world-seeing... here's a long lullaby for those eyes and ears who've perhaps heard and seen
too much, for those un-afforded the chance to maybe see and hear enough, a snapshot of the world as it is
and has been, a collection-long selection of songs, an album as narrative, each song a voice in the story,
meant to be sat down and warmed with and tended
to... like a fire... Like a lover listened to, who stays awake to sing one to sleep through the gentle
rousings of night-time sounds...

credits

released April 29, 2017

Written by Sonofmel: guitars, vocals, harmonicas
Peter Anderson: percussion, keys, (Bad Dreams), additional affectation and producer, engineer, mixer
Justin Rieken: Bass
Ken Fuller: Upright Bass (Grand Marais)
Peter Sands: Accordion, Keys, Organ (Springtime, Hard Roll)
Emily Melcher: Accordion (Hello from Johnny Cash)
Joey Falch: Faux Accordion (Grand Marais)
B Marie: Vintage Mattel Music Box
Dan Neale: Mandolin (Grand Marais)
Les Fils du Voyageur: Grant Herman, Tom Yost, Gary Hecimovich, Tom Draughon, and Ron Hobart (backing vocals, Grand Marais)
Dogs: Maxwell, Mukwah
Cat: Cooper

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about

sonofmel Hayward, Wisconsin

Sometimes it takes traveling far from home to find out where one comes from... after combing the world for signs of the sacred among paths of the profane, Sonofmel returns with fistfuls of chords wrapped up in verse that declare though trouble never starves, somewhere high above the maladies of modern man, the sky is still as blue as when Adam first kissed Eve... ... more

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